McGillicuddy's Rant (Classical Guitar) - Programme Notes
Variations on McGillicuddy’s Rant was composed in sections over a twenty-three year period, and I only heard
a performance of the complete set for the first time around 2003.* The theme was written in 1980,
around the time I started taking composition lessons. Before it had a name, I played it for my guitar teacher,
who, for no apparent reason, said, "Why don't you call it McGillicuddy’s Rant?"
I suppose I could have asked why it should be given this quirky title
(I know no McGillicuddys, and I don't believe he did either, so where did that name come from? And what the heck is a musical "rant?"),
but I found it phonetically pleasing, so I used it.
I also arranged the theme for piano, which can be found in “11 Short Piano Pieces.”
According to the New Grove Dictionary of Music and Musicians, 2nd ed., it turns out that a musical "rant" is
“a lively country dance… a variety of the polka step in an anacrusic 6/8 or 2/4 rhythm which is hopped or skipped.”
Calling my slow and meditative theme a "rant" is therefore an egregious error on my part, at least if one insisted on following the above definition,
but by the time I learned this I had become too fond of the title to change it. Besides,
a phonetically-pleasing title seems a terrible thing to waste.
The ten variations are all short character-pieces:
(Theme), Jig, Wistful and Nostalgic, Scherzo, Bluesy, Arabesque, Bluegrass, Folk Dance, Chorale, Prelude, and a (modified) Reprise.
It is the kind of theme that lends itself easily to variations, so more may follow in the future.
©Clark Winslow Ross
*Richard Bradley, a fine guitarist and friend when I lived in Toronto, played an early version of this consisting of the theme plus the first four variations (as well as an ambitious fugue variation that I subsequently deleted from the set) in a recital during "Guitar 84" (or was it "Guitar 87"? I don't remember), a huge international guitar festival held in Toronto. His performance was broadcast nationally on CBC Radio, and I think it may have been the first time I got to hear my music on the radio. Subsequent performances took place in 1990 by Dale Ketcham (Lethbridge, Alberta), 2002 by my brilliant guitar student Andrew Wicks (St. John's, Newfoundland), 2003 by Michael O'Toole (Dublin and Limerick, Ireland), and 2005 by my friend and collegue here at Memorial University, Sylvie Proulx (St. John's, Newfoundland), who subsequently recorded it for a soon-to-be-released CD. I'm not sure who performed the complete set of variations first, but it may have been Andrew Wicks. More recently, this piece had a huge boost when another very fine guitarist and friend, Daniel Bolshoy, recorded it on a CD entitled "McGillicuddy's Rant" (released November, 2007) and performed it over 50 times in 2007-08.
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